Film historian and author James Neibaur talks with TV STORE ONLINE about Jerry Lewis and the book he co-authored on Lewis The Jerry Lewis Films: An Analytical Filmography of the Innovative Comic...
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Neibaur (L)- Jerry Lewis (C) - Ted Okuda (R) |
NEIBAUR: It's not that Ted or I thought that it was a bad movie by any means. I mean, it's a great idea for a film, it has those colors and it was done by Frank Tashlin. It just doesn't seem to arrive at the potential of the idea. Jerry Lewis seemed to like it more than we did, and that was one of the areas where we didn't see eye-to-eye with Jerry while we were working on the book with him.
TV STORE ONLINE: What do you dislike about CINDERFELLA?

There are particular scenes in both of those that really standout. You have that great typewriter pantomime in WHO'S MINDING THE STORE? that is really funny and very memorable. Whereas, in CINDERFELLA, you have Jerry doing that walk down the stairs? It's funny and amusing but those musical numbers in the film really stick out and make it uneven. Overall, the structure of CINDERFELLA isn't very good either. It seems that it was just too standard of a story, and that was something they had to stick with. Even though they were parodying it with Jerry in what is usually a female role, it just didn't seem to be enough. I'm sure they worked really hard on the film, and it amusing in places, but I just don't think it's one of his best films.
TV STORE ONLINE: You just mentioned WHO'S MINDING THE STORE?....Do you have any other favorite scenes from that Jerry film?
NEIBAUR: There are a lot of great scenes in that one. Interestingly enough, WHO'S MINDING THE STORE? was the first movie I ever saw as a kid in a theater. It came out on the weekend that followed the Kennedy assassination and there was nothing on television because of the funeral, so my parents took me to the movies. I was five or six years old at the time. We sat way up in the balcony and the theater was packed. The first scene in the film features Jerry sitting at a counter and loudly slurping soup. When he came on the screen in that scene, the entire theater was rocking with laughter. I was young, but there was some part of me that realized that here was this guy that was making all of us laugh during a very sad time in our country. As a small child, even though that I couldn't articulate it that well, I realized that there was something magical happening, and I think that's were I fell in love with comedy.
The broken vacuum cleaner bit is very strong in WHO'S MINDING THE STORE? Tashlin came from cartoons and he really brought a lot of cartoon action and colors to the film. It's filled with some wild slapstick as well. There's Jerry trying to walk all of those dogs, and then when Jerry has to try to squeeze the shoe onto the foot of the lady and they end up wrestling around.
TV STORE ONLINE: When you were working with Jerry on the book did you get to ask him about working on that vacuum cleaner scene in detail?

TV STORE ONLINE: Often times you'll see critics write about the Jerry Lewis solo films and about how the directorial styles of Lewis and Tashlin are very much alike....
NEIBAUR: Yeah, but I think that what Jerry Lewis did as a director was different that what Frank Tashlin did. Tashlin, could be at times a little conventional, but what Lewis did as a director was to create an entire world in which we the audience could exist in. There is a complexity to the Lewis films and anything can happen in that world. Jerry's character has a surreal existence in that world. Tashlin could be offbeat too, but he always had elements of the real world and the mainstream in his films even though critics called his films cartoon-like. Jerry's films always maintained that level of the surreal or the outrageous throughout them the entire length of the film. That's something that Tashlin didn't do.

TV STORE ONLINE: You mentioned THE NUTTY PROFESSOR....That's my favorite Jerry Lewis film and I find it interesting because of how it isn't a sort of gag-after-gag film like those that came before it like THE BELLBOY (1960) and THE ERRAND BOY (1961).....
NEIBAUR: THE NUTTY PROFESSOR was something Jerry really wanted to do because he had this unique idea based on two characters. He was inspired after seeing the film DOCTOR JEKYLL AND MR. HYDE (1941) with Spencer Tracy.

NEIBAUR: Well, I don't think that The Catcher in The Rye was filmmable. I don't think it would have translated to the screen and that's why I think that it hasn't been made yet all of these years later. I don't think that he was moving in any particular direction either. I think THE NUTTY PROFESSOR was just the film that he made at that time, and when he followed it up with THE PATSY I think he was investigating show business. In fact, he does that in THE ERRAND BOY (1961), but I think he does it better in THE PATSY. I think THE PATSY is every bit as good as THE NUTTY PROFESSOR and THE PATSY gets just as surreal and outrageous as any of his other films. It's filled with so many incredible ideas and it has dramatic elements in it as well. THE PATSY might be my favorite Jerry Lewis film.
TV STORE ONLINE: With THE NUTTY PROFESSOR...A rumor has been swirling around for decades that Jerry based "Buddy Love" in the film on his former partner Dean Martin...

Even though Jerry and Dean were no long partners at the time and they probably weren't in touch with each other, when Jerry shot THE NUTTY PROFESSOR, he still maintained a love of him as if he was his own brother. People have tried to suggest this over the years, but really it just falls flat. Buddy Love was really just Jerry's own demons.
TV STORE ONLINE: In your book you mention that Jerry wouldn't let you watch his take on The Jazz Singer which he did for NBC in 1959...With that on DVD now...What are your thoughts on it these years later?
NEIBAUR: Lewis told us that he thought that he was too young for the role, but I think his performance is quite good. I think he surrounded himself with really great actors and the fact that he preserved something so early from those beginning days of television, I think is really wonderful. Hopefully the new DVD will do well and he'll release more things from his archive that we'll all get to see.
TV STORE ONLINE: In your book you make a mention that critics have called THE LADIES' MAN (1961) "Felliniesque"... I was wondering if you could talk about that?

TV STORE ONLINE: If you could pick one moment or scene in any Jerry Lewis film that you thought defined him as a filmmaker what would it be?
NEIBAUR: I think probably that scene in THE NUTTY PROFESSOR were "Professor Julius Kelp" is at the dance and he's responding to the Les Brown music. It's because he's in that world, he's at that dance, and he's supposed to act one way but something is distracting him. Something has his attention, and he tries to ignore it, but he can't help but to respond to it. When he's caught, he stops. That's what defines Jerry Lewis the best. As a filmmaker he tries different things in the context of cinema. He tries things and he's distracted by different ideas but he keeps going on. He's created some of the most brilliant and surreal comedy films ever made.